My good friend Sandy Andrews happens to be a commercial photographer in Columbia, SC, so when I travelled there for the IPMS Nationals, I brought the Polyribbon with me and we headed over to his studio. These shots are the result. Sandy does catalog work for some very high-profile clients, so he’s got the chops (and the equipment, and the space) to shoot some really nice images. Hopefully you’ll see these in Mix Magazine someday!
While this looks like a vintage mic, everything in it is brand new. Les Watts, the designer, is a little bit neurotic when it comes to accuracy and quality… everything on this mic is executed with tolerances that are extremely close, which makes building these very time consuming and expensive. The banding around the headbasket is hand-filed brass that is then nickel-plated, the edges of the grille are all soldered. The frame that holds the magnets are assembled with dowel pins instead of screws, since screws have microscopic gaps that affect the magnetic reluctance of the frame. The wrinkle paint finish on the body is a custom formulation that Les had made just for this mic.
This mic has plain knobs because Les had trouble finding a laser engraver who could maintain the proper accuracy. Since each knob has to be handmade, a screw-up by the engraver would cost hours of work, so they have to be extremely careful. We’ve since located a supplier, so the new mics will have knobs with laser engraved and infilled legends. A simple silkscreened legend is much easier to make and looks the same at first, but these rub off after a few years. Les builds these with an expected lifespan in excess of fifty years, and all materials are selected for longevity.
These mics really need to be seen- and heard- to be appreciated. If you’re interested in acquiring one for your studio, contact me for a demonstration!
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